50 LautSprecher
Installation / Sound Intervention
by Kyan Bayani & Martin Lutz
Neu-Hohenschönhausen, Berlin 2016/17
soundcloud.com/m_a_r_t_i_n_l/50lautsprecher
Das Projekt wird mit Mitteln des Bezirkskulturfonds Lichtenberg realisiert.
Hannah Höch – Tapes Life Portrait
Hannah Höch – Tapes Life Portrait
Audio Cassette
Excerpts from the recorded conversations between Hannah Höch and the Orgel-Köhnes from 1973.
A sound-collage by Martin Lutz, using the original tape recordings with Hannah Höch.
Playing time: 24 min
The book with audio cassette (and digital download code)
Limited Edition: 50 (+5 EA)
measure 100 – A poem by David Ferry, in sound.
For it to End + Long Walk at Critical Path / Interchange Festival Sydney
For it to End (Perf. Soo-Hyun Hwang, Sound M. Lutz) and Long Walk (Perf. Patrick Lartey, Sound M. Lutz) at the Interchange Festival in Sydney (AU).
The Interchange festival brings together short dance works, a forum and the sharing of new ideas by over 20 national and international choreographers and interdisciplinary artists. Interchange Festival will take place on 13-15 November at our home at the Drill, 1C New Beach Rd, Rushcutters Bay.
ARENA1806
Music for Piano and Violine
Comp. Kyan Bayani & Martin Lutz
2015 Annoraaq Berlin
Orfeo
ORFEO – EINE MUSIKTHEATER-PERFORMANCE NACH CLAUDIO MONTEVERDI
Marielle Sterra und glanz&krawall zeigen Monteverdis frühe Oper (1607) an verschiedenen Orten im historischen Gebäude der Alten Nervenklinik der Charité. Unweit des Berliner Hauptbahnhofs befindet sich dieser blinde Fleck einer rational durchgeplanten Gesellschaft. ENTWEDER WIR BLEIBEN IM IRRENHAUS ODER DIE WELT WIRD EINS, steht dort auf einem Gemälde eines Patienten. Wolfgang Herrndorf, selbst Patient, schreibt 2010 in seinem Blog: „Einer geht immer auf und ab. Das ist der Traurigste.“ Eine Beschreibung, die auch auf Orfeo passt: Er gibt sich ganz seinem Verlust hin und überschreitet so die Schwellen der Realität. Was liegt dahinter? Weiterlesen
Harbor and a red sign
Field Recording (mid-side)
Edinburgh Harbor July 2015
Charlotte Jarvis: this is my rite
~ this is my rite ~
while sorrow shines light, all sincerity breathes bravery,
every fall becomes flight, and love endures life
Dance artist and choreographer Charlotte Jarvis performs this is my rite, a unique form of poetic dance drama, directed by David W W Johnstone. This courageous artist explores the seasons and emotional landscapes of human life.
Dance Artist & Choreographer: Charlotte Jarvis
Director: David W W Johnstone
Sound & Composition: Martin Lutz
Lighting: Jonathan Roberts
Supported by Dance Base, Edinburgh.
Keep It Real im Radialsystem.V.
Keep It Real
Performance by Sergiu Matis
Sun 08.03.2015 / 20:00 / Radialsystem.V., Berlin
with:
Maria Walser
Corey Scott-Gilbert
Sergiu Matis
.
Music:
Kyan Bayani
Martin Lutz
Keep It Real
is shameless and straightforwardly queer. A post-feminist influenza, highly contagious that can cause enjoyment.
The protagonist cyborg-bitches tease the thin border between fiction and reality, and their bitch magic goes overboard contaminating everything around them.
Zombies and cyborgs seem utterly human and these queer bodies possess dangerous political possibilities, but what is their power inside the theatre machinery?
The glittery skin of the bitches becomes a screen, and changes the see-through texture of the pretended real authenticity of the discourse. The effect is queering of queer and an anti-show show.
M is mentor for: FACETS international choreography residency
FACETS CHOREOGRAPHY RESIDENCY 2015
JAN 5 – FEB 5
Ten choreographers – Avantika Bahl (Mumbai, India), Charlotte Jarvis (Edinburgh, Scotland), Diya Naidu (Bangalore, India), Hemabharathy Palani (Bangalore, India), Mehneer Sudan (Mumbai, India), Patrick Lucky Lartey, Pradeep Gunarathna (Hidderalalage, Sri Lanka), Prasanna Saikia (Kolkata, India), Soo-Hyun Hwang (Seoul, Korea), and Woo-Jung Kim (Seoul, Korea) – have resided in Bangalore since January 5 in this choreography residency organised by Attakkalari Centre for Movement Arts. These choreographers will be mentored by an international panel of specialists – choreographer Philippe Saire (Switzerland), mix media artist and light designer Margie Medlin (Australia), musician-composer and sound artist Martin Lutz (Germany), playwright and director Neel Chaudhuri (India), musician-composer, sound designer and singer Samar Grewal (India) light designer Jonathan Roberts (United Kingdom) and choreographer Jayachandran Palazhy (India) – in areas of dramaturgy and a range of scenography aspects. The resulting original works by the ten choreographers will be premiered at the Biennial.
To track the process and progress at the residency, log on to facetsresidency.tumblr.com.