beschenkt – Konzerthaus Berlin

“beschenkt” Ein Adventskalender aus Musik, Tanz und Wort (ab 5 Jahre) Konzerthaus Berlin / Werner-Otto-Saal Anna Steinkogler – Harp / Harfe Valentin Butt – Bajan / Knopfakkordeon Martin Lutz – Live Elektronik / Sound Installation Mercedes del Rosario Appugliese – Dance / Tänzer Florian Bilbao – Dance / Tänzer Christin Vahl – Set design & Stage design / Bühnenbild Christine Mellich – Dramaturgy / Dramaturgie ©2021 Martin Walz www.martinwalz.de

The Reversed Alchemist: Figure 4-6

Choreography, performance, text: Ixchel Mendoza Hernández 
Dramaturgy: Matthias Mohr 
Sound installation / composition: Martin Lutz and Kyan Bayani
Light design / installation: Catalina Fernandez 
Video concept & editing: Anna Katharina Weißenfels and Ixchel Mendoza Hernández 
Recorded video section: Christiane Schniebel
Outside eye: Christina Themeli
Costume design: Malena Modéer
PR: Johannes Fellmann /Jana Lüthje
Production: M.i.C.A. – Movement in Contemporary Art 
Funded by the Senate Department for Culture and Europe

​Premiere: August 2021 Berlin, Germany

The Reversed Alchemist: Figure 1-3

Performance by Ixchel Mendoza Hernández

Choreography, performance, concept: Ixchel Mendoza Hernández
Dramaturgy: Matthias Mohr
Music sound-installation: Martin Lutz, Kyan Bayani
Light design-installation: Catalina Fernandez
Costume: Malena Modéer
​PR: Johannes Fellmann
Produktion: M.i.C.A.
Supported by den Hauptstadtkulturfonds. 

Open Spaces | Tanzfabrik Berlin / Uferstudios 2019

For it to End + Long Walk at Critical Path / Interchange Festival Sydney

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For it to End (Perf. Soo-Hyun Hwang, Sound M. Lutz) and Long Walk (Perf. Patrick Lartey, Sound M. Lutz) at the Interchange Festival in Sydney (AU).

The Interchange festival brings together short dance works, a forum and the sharing of new ideas by over 20 national and international choreographers and interdisciplinary artists. Interchange Festival will take place on 13-15 November at our home at the Drill, 1C New Beach Rd, Rushcutters Bay.

Orfeo

ORFEO – EINE MUSIKTHEATER-PERFORMANCE NACH CLAUDIO MONTEVERDI

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Marielle Sterra und glanz&krawall zeigen Monteverdis frühe Oper (1607) an verschiedenen Orten im historischen Gebäude der Alten Nervenklinik der Charité. Unweit des Berliner Hauptbahnhofs befindet sich dieser blinde Fleck einer rational durchgeplanten Gesellschaft. ENTWEDER WIR BLEIBEN IM IRRENHAUS ODER DIE WELT WIRD EINS, steht dort auf einem Gemälde eines Patienten. Wolfgang Herrndorf, selbst Patient, schreibt 2010 in seinem Blog: „Einer geht immer auf und ab. Das ist der Traurigste.“ Eine Beschreibung, die auch auf Orfeo passt: Er gibt sich ganz seinem Verlust hin und überschreitet so die Schwellen der Realität. Was liegt dahinter? „Orfeo“ weiterlesen

Charlotte Jarvis: this is my rite

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~ this is my rite ~
while sorrow shines light, all sincerity breathes bravery,

every fall becomes flight, and love endures life

Dance artist and choreographer Charlotte Jarvis performs this is my rite, a unique form of poetic dance drama, directed by David W W Johnstone. This courageous artist explores the seasons and emotional landscapes of human life.

Dance Artist & Choreographer: Charlotte Jarvis

Director: David W W Johnstone

Sound & Composition: Martin Lutz

Lighting: Jonathan Roberts

Supported by Dance Base, Edinburgh.

At The Scottish Storytelling Centre, Edinburgh

Keep It Real im Radialsystem.V.

Keep It Real

Performance by Sergiu Matis

Sun 08.03.2015 / 20:00 / Radialsystem.V., Berlin

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with:
Maria Walser
Corey Scott-Gilbert
Sergiu Matis
 .
Music:
Kyan Bayani
Martin Lutz

Keep It Real 

is shameless and straightforwardly queer. A post-feminist influenza, highly contagious that can cause enjoyment.

The protagonist cyborg-bitches tease the thin border between fiction and reality, and their bitch magic goes overboard contaminating everything around them.

Zombies and cyborgs seem utterly human and these queer bodies possess dangerous political possibilities, but what is their power inside the theatre machinery?

The glittery skin of the bitches becomes a screen, and changes the see-through texture of the pretended real authenticity of the discourse. The effect is queering of queer and an anti-show show. 

M is mentor for: FACETS international choreography residency

FACETS

FACETS CHOREOGRAPHY RESIDENCY 2015
JAN 5 – FEB 5

Ten choreographers – Avantika Bahl (Mumbai, India), Charlotte Jarvis (Edinburgh, Scotland), Diya Naidu (Bangalore, India), Hemabharathy Palani (Bangalore, India), Mehneer Sudan (Mumbai, India), Patrick Lucky Lartey, Pradeep Gunarathna (Hidderalalage, Sri Lanka), Prasanna Saikia (Kolkata, India), Soo-Hyun Hwang (Seoul, Korea), and Woo-Jung Kim (Seoul, Korea) – have resided in Bangalore since January 5 in this choreography residency organised by Attakkalari Centre for Movement Arts. These choreographers will be mentored by an international panel of specialists – choreographer Philippe Saire (Switzerland), mix media artist and light designer Margie Medlin (Australia), musician-composer and sound artist Martin Lutz (Germany), playwright and director Neel Chaudhuri (India), musician-composer, sound designer and singer Samar Grewal (India) light designer Jonathan Roberts (United Kingdom) and choreographer Jayachandran Palazhy (India) – in areas of dramaturgy and a range of scenography aspects. The resulting original works by the ten choreographers will be premiered at the Biennial.
To track the process and progress at the residency, log on to facetsresidency.tumblr.com.

M in India: bangaloREsidency 2014 Deepa

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BHINNA VINYASA

Open Studio-Process Presentation

Friday December 19, 2014, 7:00 p.m.

Attakkalari Studio, Wilson Garden, Bangalore (India)

 

Martin Lutz bangaloREsident@Attakkalari is designing sound for “Bhinna Vinyasa”  or Multiple Assemblages.

Join us at Attakkalari Studio for this process presentation by the Attakkalari Repertory where live performance is enhanced with a multi-phonic soundscape.

Free entry. RSVP: 91-80 2212 3684/ 41467690/ 41483534 (Attakkalari)

 

FAKE – THE REAL DEAL

Sergiu Matis: Fake – the real deal

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“Fake – the real deal” is an installative work that explores near future speculations in a dark room. The senses are orchestrated and manipulated, while temptations open options. The performers are voices, mostly without bodies that discuss the hot topic of the dance of the future, from their own perspective in the near future. Partly computer-generated voices, partly organic, or mostly organic and partly artificial, or fully organic and fully artificial, are the different levels of hybridisation in this cast. The voice of the elevator and Siri are trying to predict the future of dance, while some of the other voices are attached to body parts that used to dance and are still talking about their experience. The arrangement of words and sounds will compose a score of pleasure. Orgasmic voices and organic noises will be the texture of the dance. What will be visible is a matter of perspective.

Concept and text: Sergiu Matis. Performance: Celine Cartillier, Sergiu Matis, Luis Rodriguez, Maria Walser. Sound: Kyan Bayani, Martin Lutz

Premiere: Tanznacht Berlin 2014

30 August, 10:30 pm, Studio 16

Uferstudios / Berlin